Serialized short story: On the Way to My Grave – Conclusion

Hi there! Here’s the conclusion of a longish short story I wrote about 5 or 6 years ago called On the Way to My Grave.

Part 5 is here.

Part 4 is here.

Part 3 is here.

Part 2 is here.

Part 1 is here.

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Ten long seconds passed, my pulse drumming in my ears. At last he said, “You get out of my house right now or I’ll call the cops. The cops in this town will do anything for me. Get it? Any. Damn. Thing.”

“Go ahead and call ‘em. And when they get here, we’ll see what they do for a rapist.” I had him! I had the bastard and he knew it.

Coach crossed his arms and stuck out his chin. “Prove it.”

I pointed toward the wall behind him. “We can start by seeing what’s in that safe. You keep videos and photos in there? Your real trophies? Or maybe they’re in your desk. On your laptop. If you got nothing to hide…”

A victorious grin appeared. “You want to see what’s in the safe? Fine.”

He turned and began punching the number code. “You think I got all this from coaching high-school football? No sir. I have connections. I’ll take your job. I’ll take your house.” The safe popped open. “I’ll take your life. You were born to lose, Bright.”

This is the absolute truth: I entered Coach Van Der Bruggens’s house to confront him about lavishing gifts on easily manipulated boys. About taking advantage of a kid who’d lost his dad. About Paul. I came to make Coach admit the real reason those three men killed themselves was the shame he’d burdened them with all those years ago.

I did not enter this man’s house to do what I did. It’s just that I got sick of being called a loser. No more crying and smashing guitars on imaginary heads. No more being treated like a misbehaving teenager by haughty co-workers and arrogant judges and condescending assholes who used to be my friends. Or by mindless brutes like Coach. No more.

I’m not a loser.

Gripping the bronze statuette, I circled the desk and brought it down on the back of his head. He fell forward, thundering into the wall, and then whirled, his legs wobbling. I swung again, striking his forehead. He raised his hands, dazed and slow, and I hammered down. He slumped to the floor, and I struck once more. I doubt I looked much like an avenger while shouting gibberish and spitting as I rained blows. I looked like a madman, I’m sure, and I stopped striking only when his flesh became pulp and the bone no longer resisted.

Gasping yet exhilarated, I dropped the bludgeon. I pivoted. No one watching. No blood on my hands. Twisting back, I gandered at the dead man on the floor, unrecognizable with his face crushed in.

The blood streak he left on the wall led to the open safe. I reached in and stole five hundred dollars along with the loaded Smith and Wesson .44 Coach intended to kill me with.

No pictures or videotapes, but they’d turn up. Cops would have to search the place.

I stuffed the trophy in his office garbage can, along with my blood-speckled shirt, tied off the bag, and removed it. With the cash in my pocket and that hand cannon tucked under my belt, I marched outside, pausing to rub my fingerprints off the doorbell.

I tossed the bag into the Nevasha River two hours and a hundred and fifty miles later. It sank like an ugly bronze statuette. I watched it go down while wearing a sweatshirt I’d bought at the rest stop 115 miles back where also I filled my tank. If they had asked why I walked in wearing a t-shirt in forty-five-degree weather, I’d have said it’s rock and roll, man.

~ ~ ~

Yesterday morning, Thursday, I went to work without sleeping. Nadine said, “Tony, why are you here?” I told her I needed to do a couple of things. With everyone outside buying bagels and coffee from the snack truck, I shredded Brett Denson’s letter and left.

When I woke up early this morning, I started writing this. Which seems counterproductive, having shredded the letter. But I’ve been thinking about the police coming after me and how to handle it, and telling this story has helped elucidate things.

I always liked that word. Elucidate. I’m elucidating things for you: I’m not a cold-blooded murderer.

Regarding Coach’s guilt: I did what I had to. He’ll never be able to hurt another kid now. I did ask myself, but what if you’re wrong? Then I imagined Hayden Campbell saying, “Kill that negativity, Bright. You can’t change the past,” and I felt ok.

About five minutes ago, I decided that this feeling–knowing I helped somebody—is what matters, not some dumb rock song I wrote. I finally matter. Not that the authorities will understand, so I’ve also decided what to do when they show up. See, I’ve got Coach’s .44 loaded and lying on the table.

And look here. Two police cruisers just pulled up outside. I’m about to be famous for one more day.

Bang Bang. Hey.

 

Reproduced below: One of the first reports of the incident to appear on the news wire.

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Strangle Taffy Singer, Two Police Officers Killed in Hail of Gunfire

WEST BRANFORD – Tony Bright, former lead singer and guitarist of the now-defunct pop-rock band Strangle Taffy, gunned down two police officers outside his West Branford home just hours ago before being shot to death by an investigating detective, according to police and an eyewitness. The names of the two dead officers have not been made public, pending notification of family.

 

Sources inside the West Branford Police Department say Bright was wanted for questioning in connection with an out-of-state crime, though that information could not be officially confirmed. When reached by phone early this morning about a possible motive for the shooting, Police commissioner Ji Hung Kim would only say, “We are deeply saddened by this tragic event, and our hearts and prayers go out to the families of the slain officers.”

 

A press conference is scheduled for 11 a.m. today, and a department spokesperson promised an official statement at that time.

 

West Branford resident Akmal Ahmadi, who lives across the street from Bright’s rented house, said he witnessed the shooting.

 

“[Bright] just walked out onto his porch like nothing happened, then, bam, he pulls out a gun and starts shooting point blank,” claimed Ahmadi. “I heard cracks and saw bodies dropping and then it was done. The whole thing was over in about five seconds.”

 

Ahmadi said he was unaware of his neighbor’s former celebrity. “I guess maybe he’ll get famous again,” he added.

 

Bright, 31, had had several brushes with the law in recent years, mostly for drug-related offenses. Strangle Taffy disbanded following the release of their third album, 5 Dolls for an August Moon, in 2008.

Serialized short story: On the Way to My Grave (Part 5)

Hi there! Here’s part 5 of a longish short story I wrote about 5 or 6 years ago called On the Way to My Grave.

Part 4 is here.

Part 3 is here.

Part 2 is here.

Part 1 is here.

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He continued to stare with eyes resting on darkened half-circles. I said, “I’m surprised to see the star of the football team hanging out by himself. Where’s all the girls?”

“My brother loved you guys.”

“Yeah, I know,” I said. “I’m really sorry about what happened.”

“He wanted to be a writer. He used to write essays and short stories and stuff. Poems and lyrics, too. They were real good.”

His suicide letter did show a dramatic flair. I told Paul I’d like to see Brett’s work someday.

“Are you guys gonna put out another album? Maybe you can use some of his words.”

After we were dropped by the label, people would ask when the next album was coming out, and I’d lie and say we were shopping for the right deal. But no one had asked for such a long time, I felt all right telling the truth.

“Unfortunately, our time has passed. I’m pretty sure Brett was the last person who cared about us.”

He gazed at a crumpled Dunkin Donuts cup lying on the sidewalk. “Your song was the only thing that made him feel ok. He fell asleep to it every night.” With forced cheer he said he liked some of our songs, but he didn’t mean it.

“Do you know why he did it, your brother? I guess it’s selfish of me, but I kind of feel responsible, you know?” I stood silent, waiting, and his answer came laced with venom.

“I don’t know why he did it, but it wasn’t you, ok? You can go back to your party life and forget all about my brother. He’s just a stat. You’re all good, man. Life is good. So go fuck yourself, all right?”

As the words spilled out, his rage made me feel ashamed and selfish and at once so aware of my stupid, pointless arrogance.

“I’m sorry,” I said.

“Yeah, you told me.” He fought back the tears desperate to get out.

I’d already pissed him off, so I figured I might as well confront him. “Paul, why are you on the football team if you aren’t good enough to get into the games?”

His voice went limp. “I don’t know.”

“Did you call Coach and tell him I was here? Did you follow me to the pub on your skateboard? You know, sometimes people in a position of power can make kids do things they don’t want to do. Does Coach ever make you do things you don’t want to do?”

I cool breeze tore down Main Street, much colder than the air it displaced, kicking up dust and leaves and forcing my hands back into my pockets.

Paul Denson dropped his board on the sidewalk and, as he turned away, said, “Leave me alone.”

“Why did he give you an iPod?” I asked, but he was already rolling off in the opposite direction. If Paul chose to remain as silent as the three dead kids, I had one option left.

~ ~ ~

The big colonial on the hill stands out in Collingwood. Across the street and down a block, I parked in the night shade of a low-hanging tree.

I waited until 11 o’clock to ring the doorbell. Coach Van Der Bruggen didn’t strike me as a guy to hide behind a peephole and ask who’s there, and I was right. Heavy footfalls approached from the beyond the door, with not a moment’s pause before it swung inward.

“Who the hell-” I didn’t think his scowl could get meaner, but it did when he saw my face. “You! I thought I told you to get lost.”

Now what? “I need to talk to you about Paul.”

“What about him?”

To write songs that connect with listeners, you have to know something about human nature. Knowing about human nature helps you manipulate people. Coach needed to be important. “I’m worried he might try to hurt himself,” I said. “I tried to talk to him, but I think he needs to hear it from someone he respects. You, I mean.”

Coach’s scowl softened. Sort of. “All right. Follow me.”

He led me through the foyer and into a well-appointed home office. Lots of real wood and not a hint of particle board. A row of football trophies filled an inset shelf. One statuette, too tall and bulky for the allotted space along the wall, stayed on his desk.

He said, “This one isn’t a trophy. It’s a bronze statue. The mayor had it made a couple of years ago. Town pride.”

He adjusted its angle. “Frankly, if I didn’t win anything to get it, I don’t want it. And the damn thing doesn’t fit on my shelf. But the son-of-a-bitch mayor insists on visiting me all the time, so I leave it out.”

I tilted the statue back, pretending to admire it. It was heavy. “So, is Mrs. Van Der Bruggen home?”

The scowl returned. “What the hell is wrong with you, son? We’re not friends. Tell me about Paul and get out.”

I waited a moment. “People don’t kill themselves because of a song, Coach. It takes a lot more than that. Something traumatic. Shameful, maybe.”

He moved behind his desk. Did he keep photos in there? A flash drive full of secrets? I noticed a safe set into the wall.

“Look,” he said, “I know that. But when a kid is troubled, that song isn’t what he needs to hear. Understand? This town has had enough grief, and you being here doesn’t help. It makes it worse.”

I saw through his stern father-figure routine. “Why is Paul on your team? He’s not an athlete. Why did you give him an iPod?”

His fingers fidgeted. “For heaven’s sake, the kid lost his father. His dead brother was a football hero. Someone has to look out for him.”

Eying his defensive posture, it all become so obvious. I leaned forward, literally with nothing to lose. “You sexually abused Brett Denson and those two other guys on your team, didn’t you? And now you’re doing the same thing to Paul.”

(tomorrow… the conclusion!)

Serialized short story: On the Way to My Grave (Part 4)

Hi there! Here’s part 4 of a longish short story I wrote about 5 or 6 years ago called On the Way to My Grave.

Part 3 is here.

Part 2 is here.

Part 1 is here.

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“Who the fuck are you?” I said, the booze choosing my words.

“I’m the one who introduced that stupid song.”

Done to Me? How the hell did this old bastard know that song? He didn’t look much like a college radio DJ.

“Pounce,” he said. “It was our team song.”

It hit me. “Coach?”

“Coach Van Der Bruggen,” he said. “You don’t get to call me Coach.”

I twirled my finger, trying to bait him into throwing me through a window and finishing me off. But he sat there, stone faced.

“You think you’re some hot shot?” he said.

I laughed. If only he knew.

“Nobody gives a crap about you,” he said. “I may be some small-town hick in your eyes, but around here I’m a winner. I’ve coached this high school to three state championships. I coach winners.”

I discovered my mouth hanging open when a dollop of drool hit the table. Coach kept talking, oblivious: “My only regret in life is playing that stupid song. I let a cancer into my locker room—you—and look what happened. Three players from that team are dead. Congratulations.”

If he planned to kick my ass, I wanted him to get on with it. “I don’t think anybody ever killed themselves because of a dumb-ass song like Pounce.”

Unmoving, fists clenched, he said, “I’m talking about Done to Me. That song.”

I waved at him, accidentally knocking over the acrylic stand-up for the drink menu. “You never heard it until this week.”

Then, there at the table, he recited the chorus word-for-word, as if it were a poem.

I twisted around, hailing the server for another drink.

“Brett took the CD home from practice one day and fell for that depressing crap,” he said. “You should have known.”

“Who are you, the town conscious?” I couldn’t fit the ‘n’ sound in there drunk.

“Son, I am this town,” he said, clearly not for the first time. “Now, you best get out of here this minute if you want to see tomorrow.”

“Wait,” I said. “That big house on the hill with the columns… that’s your place. Wow, you really are king of this little shit town.”

He reached across the table and grabbed my shirt, pulling me forward like I was filled with straw. “Don’t make me say it again.”

~ ~ ~

I sat in my car for a half hour, clearing my head and slowly acknowledging the truth in Coach’s words. When Strangle Taffy did its only national tour, we used to hang out backstage and make fun of the dinky hamlets we played at the same moment we were pawing the local groupies like horny teens and counting our ticket receipts. Maybe a high-school football championship isn’t a multi-platinum album, but it means something to people and makes heroes of guys like Coach Van Der Bruggen. People need heroes, not indulgent, mediocre rock musicians.

Imagine that, though, I thought, my face resting on the steering wheel. All three suicides were players from the same championship football team.

All three from the same team. Odd.

I sat up.

How did Coach know to find me in the pub? Maybe Brett Denson’s little brother wasn’t so disinterested in me after all. Maybe he followed me and then told Coach where I went. But why would a bench warmer be so tight with Coach?

Suspicion aroused, I turned the key in the ignition, popped the transmission onto gear, and lurched out of my spot, almost wiping out a passing car.

~ ~ ~

As Sharon Denson opened the door for me the second time that night, I hoped the chewing gum hid the scent of booze. I guess I cared what she thought of me.

“Is Paul home?”

She sighed. “I suppose I shouldn’t let him out on a school night.”

She wanted me, of all people, to think of her as responsible, which is funny but not. “It’s ok. I’ve done a lot worse than stay out late on a Wednesday night.”

She led me to the bedroom beyond Brett’s and flipped the light switch. The space housed a twin bed, a dresser, an iPod on the night stand. A couple lamps. Nothing that indicated a teenage boy with a personality lived there. “You gave him that?” I said, pointing to a laptop.

“Christmas gift. Money’s tight since my husband passed away, but I have to do something. Kids are so status-conscious these days. When we were young—”

“And the iPod?”

“Oh, no,” she said. “Coach gave it to him. He won it in a raffle and didn’t need it. He’s been awfully good to my boys.”

Coach gave it to him. “Do you know where I might find Paul?”

She pondered a moment. “Try downtown. The kids hang out on the strip in front of the doughnut shop.”

~ ~ ~

Sobered—not legally, I suppose—I cruised Main Street, passing the pub then a convenience store and a block or two of shops closed for the evening.

My gas gauge read a quarter of a tank, and I had three bucks in my wallet. If I survived the night, I might never get to leave.

Ahead glowed the yellow arches of McDonald’s across from Dunkin Donuts. A bunch of kids sat on benches outside. Two other boys laughed and shoved each other while their girlfriends looked on. I made a right by the donut shop and spotted a lone kid was attempting half-hearted skateboard tricks. Paul Denson.

He picked up his board and began to strut away as I stepped out of my car. I called his name and he stopped. I must have still showed a faint aura of celebrity.

“Hey man,” I said. “I been looking for you.” The temperature had dropped in the past hour, so I put my hands in my pockets and hurried to where he stood. He bore that same haunted look, rendered more ghostly by the streetlights, like a harbinger of something sinister and deadly. And close.

(to be continued)

Serialized short story: On the Way to My Grave (Part 3)

Hi there! Here’s part 3 of a longish short story I wrote about 5 or 6 years ago called On the Way to My Grave.

Part 2 is here.

Part 1 is here.

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Where to start? “Ma’am, are you Brett Denson’s mother?”

“I am,” she said. I tried to get a feel for her emotions. Would she slam the door, call the cops, threaten to sue, or tell me she doesn’t know what the hell I’m talking about, Brett’s downstairs playing Grand Theft Auto?

“I’m Tony Bright, the singer and guitarist of a band called Strangle Taffy. Your son. Uh, he was a fan of mine and wrote me a letter talking about his… unhappiness. I didn’t get it until Monday. When I heard what happened I came to express my condolences.”

She stared, dumbstruck. Then a grateful, melancholy smile broke through. “Please come in.”

When I stepped into her humble but neat home—which is a lot nicer than my molding row house—she said, “I can’t believe you took the time to come out here. My son was a huge fan of your music. This is such an honor.”

The phrase, “Benefit concert for Brett,” unfurled like a banner across my mind. I could perform it on Saber Cat field, or whatever they call it.

We hugged, like it was natural, and she offered a Diet Coke.

I said no thank you, and, as if we’d discussed it, she led me to the center of the house. “This is Brett’s room,” she said, touching the door. I didn’t ask her why her 26-year-old son had still lived with his mom. Then she pushed, and before I could check my reaction, I braced myself for bloodstains and police tape. She saw me flinch and said, “It happened in the basement.”

Over the bed hung a Strangle Taffy poster. A record label promo. We never got famous enough to sell posters in a store.

Sharon Denson read me. “Coach gave him that for making the game-saving tackle against ‘Ridge the year we won the championship.”

“Your football coach gives posters of my band to his players?”

Sharon took my arm. “Pounce was our theme song that year. The players took the field to it every game.”

“What?”

Pounce, like most rock songs, is a thinly veiled metaphor for getting laid. In case you don’t remember, it went (and I cringe): Pounce! I’m cummin’ round. Pounce! You’re going down. Bang Bang. Hey! Bang Bang. Hey! I suppose, if you have an innocent mind, it could sound like it was about-

“Saber Cats,” she said. “Cats pounce. That’s why Coach used it.” She directed my attention to the opposite wall. A framed team photo hung above the dresser. “That’s Brett,” she said, pointing.

The kids all looked the same. Nothing like the beefy, salt-and-pepper haired man standing to the far left in the picture. Coach. The guy who made me a rock star in Collingwood, Pennsylvania for one high-school football season. I should have collected royalties.

“Oh,” Sharon said, startling me. “This is my younger son, Paul.”

A gangly, narrow kid filled the doorway. I could tell he recognized me because I still remember what that looks like, but he bore too deep a wound to conjure a greeting. I could hardly blame him. His brother had blown his own head off less than a month ago.

Sharon put her hands on my shoulders and announced me. He said, “Hi,” and skulked away. His mother was too wrapped up in Brett to notice his misery.

I started feeling queasy. These were real people.

“He’s on the football team this year,” his mother said. “But, honestly, Coach only put him on the roster because of his brother. Paul doesn’t play in the games.”

Awkward silence followed. I was standing in a house of ghosts unable to leave the Earth.

“What really happened?”

She sighed. “Brett’s dad died in a work accident ten years ago. The football got him through. But he didn’t have the grades for college or talent for a scholarship, and I couldn’t afford it anyway. He couldn’t keep a girlfriend or a job.” She looked at the floor.  “He was an unhappy person.”

I would not be writing this if I had not said what I said next.

“I think Brett was listening to my music when he did it.”

“I know,” she said. “I was home.” With that, the tears came like a cloudburst and her face pulled back as if a blast of fire was searing her flesh. She fell into my arms and wailed, her face pressed against my shoulder. Between heaves, she said, “I heard the shot.”

I stood there like an idiot, patting her back. “I’m so sorry,” I said at last, clutching her to me because I couldn’t look at her. “I hope you don’t think-”

“No, I don’t blame you,” she said, sniffling and wiping her eyes. She squeezed my arms and gently pushed me away. “But the others might.”

“Others?”

She stared, surprised. “The parents. Of those two boys who killed themselves last week. They were playing your song too.”

~ ~ ~

The forty dollars in my wallet represented the entirety of my assets. My bank account was overdrawn and my credit cards long ago maxed out and cancelled. Did I really plan to mount a career comeback with that?

I’ll just buy a couple drinks, I said. But sitting at the nicked-up table in that gloomy pub, I kept ordering one more.

Staring into my Jack and Coke, I shook the glass and watched the liquid whirl. See that guy, people used to say. He was in a band that had three albums. A real band!

How’s this for real: Three men dead, three families ruined, and a town full of parents terrified their child is next. I wrote the theme song!

With eight bucks left, I finished my drink and teetered to the men’s room. So much for alcohol poisoning. Two more wouldn’t get it done.

When I returned to my table, I noticed a brawny fellow with white hair and bushy eyebrows staring me down from the bar. He marched over and took the opposite chair. “You have a lot of balls showing your face in my town.”

(to be continued)

Serialized short story: On the Way to My Grave (Part 2)

Hi there! Here’s part 2 of a longish short story I wrote about 5 or 6 years ago called On the Way to My Grave.

Part 1 is here.

I never figured out what genre it belongs to (is nihilism a genre?) or what to do with it, and I’ve evolved as a writer to the point that this story no longer represents me. So I might as well post it. You are welcome to comment positively or negatively without concern for hurting my feelings. This will be the tale’s final incarnation and resting place.

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Done acting like a baby, I called our keyboardist, also named Tony, and told him about the letter from Brett Denson. Tony holds down a pretty good government job and has no use for me. His response was, “Whatever dude. The letter’s probably a fake,” before telling me he had to go.

Our drummer died in a car crash last year, and I don’t know what happened to the bass player. There was no one else to call. Strangle Taffy was just a memory. Like Brett Denson.

I left the wreckage of my Ibanez and went upstairs to get drunk. Sitting at the kitchen table, I poured shots of cheap tequila and fantasized about killing Hayden Campbell and all the other fuckers out there who humiliated me every goddamned day. Nadine. The customers. I dreamt about the looks of shock as they saw a cheap blue Ibanez six-string swinging at their heads.

I took Brett Denson’s letter from my back pocket and threw it on the table, wondering if the guy had been the last person on Earth to give a crap about my music.

The song referenced in the letter, Done to Me, never got radio play. It was the best song I ever wrote, though. A sweet, melancholy melody with bleak, nihilistic lyrics is magic when you pull it off right. Shit. They still play Dust in the Wind all the time.

Strangle Taffy had one buzz track called Pounce, which the record company made me write. One of those chant-along, one-hit-wonder types, only it wasn’t a hit. Our second album was supposed to be our breakout, but we rushed it and it sucked. The label gave us “one last chance” with our third release, which means we had a three-album contract to finish out. They spent about eleven cents promoting it and we were dropped. Fifteen people showed up for our last gig.

Tequila bottle empty, I zigzagged to the bathroom. The light hurt. Squinting, I opened the medicine cabinet and took out my oxycodone. Brett Denson had the right idea, I thought. I pressed down on the lid and tried to twist, but drunkenness robbed me of coordination. Then I put it on the toilet tank and attempted to push and turn with my palm, losing my balance when the bottle shot out from under me. I tumbled head-first into the wall.

On the floor, I remembered how eleven years ago I used to stare at myself in a full-length mirror thinking I was going to be the next Bono. Now I couldn’t open a child-proof cap to overdose on painkillers.

I awoke at four in the morning, still in my stupid white shirt and tie and curled up on the bathroom floor. I staggered to my feet, went back down to the basement, and found a crate full of extension cords.

Still inebriated, it took a while to make the noose. Finally I stood on the overturned crate, looped the wire over two crossbeams and secured it, and slipped the noose over my head.

The debris from my broken guitar lay at the foot of the crate. Even in killing myself, I recognized my knack for metaphors. Ever the songwriter. I thought, I’m about to be famous for one more day. Maybe they’ll play Pounce on the radio again. Maybe they’ll play Done to Me.

Then I thought, maybe they’d play it anyway if people found out about Brett Denson’s suicide. What if I showed up to offer my condolences? It could be great PR. It could lead to interviews. A benefit show for his family. Airplay.

A tribute song. I could write a goddamn tribute song.

With great care, I slipped my head out from the noose and stepped off the crate.

~ ~ ~

Hung over, exhausted, stinking, and miles away in my head, I must have looked like I’d just climbed from the grave. Or got lost on my way to it.

Nadine, who isn’t a bad person, gaped at me a moment before regaining her poise. When I asked for the rest of the week off, she said yes without probing. I worked the remainder of Tuesday in a trance, thinking about how my last fan in the world might have just saved me.

I looked up Denson’s address on my lunch break and printed directions. Later, at home, I meant to think up a master plan, but I passed out. As I drifted away, I gave imaginary answers to questions from an imaginary TV journalist: Yes, Brett was my biggest fan, which is why I wrote this song about him (I look straight into the camera). It’s called Never Forget. La la la…

(Imaginary spotlights are so bright)

~ ~ ~

Collingwood is a former mining town, but I have no idea what keeps it going now. When I rolled in at noon on Wednesday, I didn’t feel so sure about knocking on Sharon Denson’s door and telling her I killed her son. I drove around town a while then zipped through county roads that spider web outward from the main strip. I saw a old farmhouses, ratty-looking ranchers, and a townhouse development by the highway. And one big, old colonial with oversized columns, perched on a hill overlooking town.

Back in Collingwood proper, I got two cheeseburgers from McDonald’s dollar menu, ate them in the parking lot, and considered hitting the bar across the street for a few shots of something hard and cheap.

Instead I stopped at a drug store and bought a pack of gum. Besides the usual junk, the store sold sweatshirts and tees that said “Saber Cats” and depicted a pissed-off tiger. The clerk said it was the high-school football team. They were the big thing, he said.

Ah, small-town U.S.A. American rock-n-rollers can make a living writing songs about places like this. I thought about the inevitable abandoned coal mines and downtrodden economy and halfway wished I hadn’t wrecked my guitar.

I arrived at Sharon Denson’s house at 5:30, parked at the curb, and watched. After a few minutes I started to feel like a weirdo, so I spit my chewing gum and got out.

The woman who answered the doorbell seemed tired, with lifeless eyes and limp hair pinned back by barrettes. I expected anguish and got drab.

“Can I help you?”

(to be continued)

Serialized short story: On the Way to My Grave (Part 1)

Hi there! Here’s part 1 of a longish short story I wrote about 5 or 6 years ago called On the Way to My Grave.

I never figured out what genre it belongs to (is nihilism a genre?) or what to do with it, and I’ve evolved as a writer to the point that this story no longer represents me. So I might as well post it. You are welcome to comment positively or negatively without concern for hurting my feelings. This will be the tale’s final incarnation and resting place.

I’ll post daily installments over the next 5 or 6 days. FYI, the segment breaks won’t fall as neatly as the last story I serialized. This one is less episodic, which is better compositionally but less suitable for serializing. C’est la vie.

 

~~~~~~~~~~~~~~~~~

On the Way to My Grave

By Eric John Baker (c) 2009

 

The following transcript is a verbatim reproduction of Anthony Bright’s handwritten confession, which investigators found on his kitchen table shortly after the shooting. Passages Mr. Bright underlined are represented with italics.

 

The letter came five days ago. It said (as I recall):

“Dear Mr. Bright.

By the time you read this, I’ll be dead. Before that happens, I want to tell you how much I love your song, “Done to Me.” It’s my favorite song of all time. It’s also the last song I will ever hear, because I am going to put a bullet in my head tonight when the CD ends.

Please know I’m not doing this because of you. In fact, your voice is going to comfort me in my final seconds.

I wish you peace and continued success in a world to which I do not belong.

Brett Denson”

 

It had been forwarded to me, still sealed, by someone at my old record label. I read it over a bowl of Cheerios, reread it, and then dumped the cereal in the sink.

I’m used to the quiet of living alone, but right then the ubiquitous silence threatened to suffocate. Was this letter a joke? I would have googled the guy, but I haven’t paid my cable bill in six months and they cut off my internet.

The microwave clock said you’re late for work anyway, so I shoved the letter into the envelope and took it with me.

 ~ ~ ~

You probably don’t know who I am, so here’s my two-line bio: I used to be a budding rock star. Now I’m the motor vehicle clerk at a car dealership.

Though I work in a back office and no one sees me but the office manager and the lady at the motor vehicle agency, I have to wear a tie and a white shirt. Cheap white dress shirts from a discount store look even chintzier than other colors. It’s the official uniform of lost souls.

When I got to work that morning, I checked “Brett Denson” against the online obituaries.

Sure enough. Brett Denson. Age 26. Beloved son, brother. Survived by mother, Sharon, brother, Paul. No cause of death given. He was born, raised, and died in some town I never heard of called Collingwood, 200 miles away in the next state.

The office manager, Nadine, walked in and I closed the browser. She stared at me for a long second like she caught me skimming from the cash register.  Give a guy a break, Nadine. I hadn’t gotten a fan letter in years, and it was my first that doubled as a suicide note.

At 4:30, I left by the service entrance. I avoid the showroom because I don’t like being seen in my $12 dress shirt and $5 tie. Customers give me a look that says, oh, you’re just trash who doesn’t know the difference between Bloomingdales and Walmart. Whatever.

The service door hadn’t shut behind me when I heard the voice.

“Hey, Bright. Why so glum?”

Christ. Hayden Campbell, the sales manager, the number one person I try to avoid. He had a speech ready.

“Did you see that guy driving away?” he said. “That was Darnell Tubbs. He just took delivery on the fifth car he’s bought from me. That’s loyalty.”

“Yeah, I printed up his temp tag.” I can never think of anything to say to Hayden.

He put his arm across my shoulder, marking territory. Pissing on my leg is against HR policy.

“You can’t live on past glory, my man” he said. “In this world, it’s ‘what have you done for me lately?’ That’s my secret to success.”

“Good advice,” I said. He wasn’t done.

“Do you get what I’m saying to you? When I started here eighteen years ago, we were selling maybe a hundred cars a month. Now we sell a thousand cars a month. Because I instituted a culture of winning.”

“Look, I’d love to stay and chat, but-” He must have sensed he was losing his audience when I put on a show of removing my keys.

“I’m just saying you can’t make your mark working in the back office,” he said. “I know you want to earn more money. So let me know when you’re ready to come work for me, ok?”

“Ok,” I said, faking a smile and shaking his hand. The thought of Hayden Campbell as a boss makes me want to drink chlorine. “I’ll let you know.”

He patted me on the back as if I’d said yes. “This isn’t for charity. I can make a salesman out of anybody, but if you’re going to come up front, don’t make me look bad. I’ll bounce your ass without batting an eyelash. Is that clear? This is your last chance to not be a loser.”

Attacking Hayden Campbell is a bad idea. Besides being able to afford a good lawyer and having lots of cops for customers, he’s taller by a foot and built like a power hitter. He was busy admiring his automobile kingdom instead of noticing my face turning red anyway, so I nodded my appreciation and bolted.

When I got home, I smashed my guitar on the basement floor. Just like rock-and-rollers do, only full of self-pity and with tears and snot everywhere. I imagined the concrete to be Hayden’s head, but the real victim was the guitar. It’s not as monumental as it sounds. I hocked my good guitar, my Les Paul Custom, years ago to buy heroin. The one I destroyed was a 250-dollar Ibanez I hadn’t touched since whenever. I’m not a guitarist anymore.

(to be continued)

short story serialization – The Last Stop (conclusion)

Today brings us to the conclusion of my unpublished short story The Last Stop, which I wrote in 2009. This post is a bit longer than the others because there’s no good place to break it up. I figure if you made it this far, you’re OK with a slightly longer bit.

part one

part two

part three

part four

part five

part six

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The Last Stop

(part 7 AKA The End)

© 2009 by Eric John Baker

At the table, Sophia asked for a Diet Coke, and he reminded her he wasn’t a co-worker who needed impressing. She laughed and changed the order to a beer.

“So what’s the dirt I need to hear?” she said, and Riley told her how to manipulate Patrick, and he told her who was a suck-up and who was fake-nice but would stab you in the back. She was free to contact him for advice, he said. Everyone needs an ally.

When the pints came, he said, “Go ahead and ask me what you’ve been wanting to ask me.”

For a moment she demurred but then said, “Ok. I have two questions. Why are you getting fired, and why are you being so nice to the person replacing you?”

Riley watched her porcelain doll hand on the glass and wondered how anyone could feel anything other than craving for her. “I’m getting fired because I’ve barely shown up for work in the past few weeks. I just can’t do it anymore.”

“That bad, huh?”

“No, it’s as good a place as any. I have other things going on. I suppose they told you about Madeline?”

“Who’s that, your dog ?”

“My wife. I haven’t seen her since February.”

She almost spit beer. “I’m sorry. You guys separated?”

“I mean she’s missing. Like milk-carton missing.”

She gripped his arm. “And you worked all this time? Your poor thing. You must be a wreck.”

He slid his chair closer and, in a quieter voice, said, “That’s the thing. I haven’t felt anything lately. Like she never existed.”

Sophia leaned in, her dark eyes electrified. “It’s got to be some kind of psychological reaction, like delayed shock.”

“That’s why I can’t work right now. Something’s changed for me and I just can’t concentrate on the banality of an office job anymore.”

He looked down and noticed her hand was still gripping his arm. She let go. “Wow.”

“To answer your other question… I’m not hostile to you because—don’t take it the wrong way—I sort of feel like I know you.”

“How’s that?”

“I used to see you on the bus stop every day, across from my building. Your building now, I guess. I kind of looked forward to seeing you there. That’s why I acted funny when I met you today.”

Sophia smiled. “That’s kind of sweet, actually. I was temping in the city, but the contract ended. My recruiter hooked me up with Patrick when she knew he was… well, looking to get rid of you.” Her pout said she was both sorry and embarrassed.

“Don’t worry about it,” he said, heat coursing through him. She was so real, like in his dreams. “Is that why I stopped seeing you on the bus stop? Your contract ended?”

She laughed. “No. I bought a car. Riding the bus sucks.”

Riley stared into his pint and laughed at his insane, emotional, destroy-your-life obsession turning out to have such a stupidly mundane explanation.

“What’s so funny?”

“Your redheaded friend told me you looked upset the day before you vanished. We thought something happened to you.”

Sophia leaned back like she just found out she was the butt of a joke. “You know her?”

“No. I pulled over one morning when I saw her. She said you were upset. I was worried.”

“It’s no one’s business, but if you must know, the reason I was… upset, as you put it… was my bank screwed up the car loan.”

Riley laid his hand on her wrist. “I’ve been looking for you all over.”

She pulled her chair away. “Wait a minute. Did you put up a bunch of missing-persons fliers? Somebody showed me one and said it looked like me.”

Riley did not understand. How could she be mad? “I thought you were in danger. I tried to save you!”

She stood, withdrew a five from her purse, and tossed it on the table. “I’m sorry, that’s fucking weird.”

Why would she say that? Was she a taker, no different from Madeline?

“Wait,” he said. “I don’t want hostility between us.”

“Riley, you’re a nice guy, but obsessing isn’t the way to impress a woman. Anyway, you’re married. I’m sorry.”

Riley hated himself. He hated himself because she was just like Madeline with her superiority, but he had to say it. “I love you, Sophia.”

Far worse than anger, she showed pity. “My name is Eleanor.” Like he was stupid.

Damn her for making him feel like a scolded child. “Sophia’s the name I made up for you.”

She rubbed her wrist clean where he had touched it. “Look. I’m not a psychologist, but you’ve got problems. Guilt or whatever. Maybe you feel like you didn’t do enough when your wife left. I don’t know, but it has nothing to do me. Do you understand?”

Her eyes were no longer letting him in. “Please go get some closure,” she said. “Do the right thing. And absolutely do not follow me.”

Riley gazed upon her. She was so perfect, but he knew the women he loved would always treat him this way. He didn’t want it his love for Sophia to end the way it had with Maddie. So he showed it the purest way possible.

He let her go.

 

11

Riley caught the bus at the bottom of the hill. Not into the city, but the other way. A few rush-hour stragglers entered or alighted at various stops, but he had a seat to himself. Maybe the other passengers sensed he was on the most important ride of his life.

He stared, his forehead against the glass, watching the storefronts and bars. He saw a few of his fliers attached to telephone poles, tattered and dirty. At some point, he realized the bus was idling.

“Last stop,” the bus driver said, impatient.

Riley peered out the opposite window. So it was.

On the street, he stepped through the choke of exhaust, crossed to the other side, and entered the building. This time he shuffled, unnoticed, to the window, and asked for Detective Spinelli. Spinelli was always working.

He sat on a bench in the hall, still as a dead man, and waited. Spinelli came out.

“What’s up, Riley? News on the missing girl?”

Riley stood. “I found her. She’s fine. She will be fine.”

Spinelli gave a curious glance. “That’s good news. Thanks for updating me.”

“That’s not why I’m here.”

Spinelli stepped closer, like a smart cop does. “I’m listening.”

Riley said, “I’m ready to tell you where I hid Madeline’s body.”

The detective placed a fatherly hand on Riley’s back. “Why don’t we sit at my desk.”

Riley allowed Spinelli to guide him to the door. Before passing through, the old cop patted him down and read him his rights. “I didn’t intend to kill her. I’m not like that.”

“I know,” said Spinelli, his voice caring. He was an all right guy, Riley thought. Trustworthy.

“I’m doing this for Sophia,” Riley said. “I love her.”

“Of course you do,” said the detective, leading Riley into a chair by his desk. “Tell me about it over coffee. Cream and sugar?”

 ♥

short story serialization: The Last Stop (part 6)

I’m serializing a short story I wrote five years ago called The Last Stop, which is appearing in bite-sized pieces throughout the week. It’s probably unpublishable for a few reasons, but I put effort into the thing, so I’m posting it. You are the beta readers.

part one

part two

part three

part four

part five

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The Last Stop

(part 6)

© 2009 by Eric John Baker

Riley let the words roll around for a moment. “Oh.”

“I tried to cover for you the past few weeks, but you vanished, man. We can’t have that. You’re a good worker, but your head’s not on straight.” Patrick pointed to Riley’s head, in case anyone was unsure of its location. “If it were up to me, I’d keep you, but this comes from above. There’s no way—”

“You know what? Don’t worry about it. I’m ready to move on anyway.” Riley thought he might like to work for Andre Rodgers and learn how to be a detective.

Patrick, with his world’s worst poker face, was evidently pleased with how this was going. “This might sound weird, but hear me out. We replaced you already. Sorry, but the opportunity came up and we took it. Anyway, I’m authorized to give you a month’s severance pay if you stick around the rest of today to do training. You’re the only one who knows the systems and—”

Blah blah blah, Patrick.

Riley needed the money. “Sure. That sounds fair.” With Andre Rodgers on the case, he could concentrate on something else for one day.

As Patrick dialed the receptionist, Riley realized he had to pay the severance anyway. It was in the hiring contract. He lowered his face to hide his smirk. Patrick Pohdile was a first-class, conniving butthead.

The door opened.

“Riley Conard,” Patrick said, “meet Eleanor Fayne.”

Let’s see what this vulture looks li—

Riley’s smirk withered. A last breath escaped his lips, and then all of time stopped. He stared at her, numb.

It. Could not be.

Trembling, he swept the back of his arm across his eyes to wipe away the flash flood of tears. Joyful tears, bursting from within his heart. He knew he would find her! He knew it.

Sometimes destiny does call.

Sophia.

She extended a tentative hand, her apprehension incapable of marring her perfect face. “Hi, I’m Eleanor.”

She called herself Eleanor.

Riley stood frozen. She lowered her eyes, embarrassed, and started to drop her hand. He commanded himself to step forward, and her fingers slid into his. Up close, she looked older, maybe thirty, but no less stunning. He caught her eyes, letting her know she had nothing to fear, and she smiled for real.

He let go of her hand first. He didn’t want her to think he was creepy.

 

Side by side they sat in swivel chairs, Riley teaching, Sophia learning. Here, it’s easier if you do it this way, Riley said. Sophia replied, it’s so kind of you to show me all this. It would take me months to figure it out. Riley encouraged her, saying, nah, you’d get it in no time, though he knew she’d never get it without him because he was the only one who knew.

Below her left ear, smooth, perfect skin curved over a pleasing feminine jaw line. Fine wisps of almost-black hair showed on the back of her neck when she reached for the printer. Her delicate chin and curious mouth oriented her to her task. Slender shoulders called for his caress. He wondered if she thought the same types of things about him. The words came out of his mouth, unplanned. “Do you want to grab a beer or something after work?”

She tried to conceal her surprise, he could tell. “It’s my last day,” he said, “so I don’t care. I can give you the dirt. Office politics and all that. It doesn’t hurt to have a handle on that stuff.”

Her pupils darted from side to side, studying his face. Riley wore a mask of earnestness he knew she could not penetrate. Everyone always said he was a blank.

“Yeah, ok,” she said, uncertain. He’d change that soon enough.

Riley’s departure at 5 p.m. was met with little fanfare. He boxed up a few things while Sophia stood by and waited, awkwardly eying Patrick, who awkwardly watched her wait.

Riley sealed the third box. “Ready?” he asked Sophia in a too-familiar way, which he realized when her eyes widened, like she had been caught stealing.

He turned to Patrick. “I’ll be back for these if that’s okay.”

The men shook hands and Patrick said, in hushed tones, “When you get things straightened out, let me know. A spot might open up somewhere.”

Riley smiled and patted his shoulder. Whatever you say, pal, he thought. I’ve found Sophia.

During the elevator’s brief descent, she said, “I could have helped you carry the boxes.”

“I sold my car a couple days ago.”

Riley didn’t care about the junk in the boxes, even the picture of Maddie he’d found in the bottom drawer. He only packed it up so he’d have an excuse to come back and see Sophia again.

On the walk up to Hilltop Tavern, Riley occupied her with idle chit chat, but he didn’t listen to her answers. He was thinking about how he could make her love him.

(Tomorrow… the explosion-free conclusion!)

short story serialization: The Last Stop (part 5)

I’m serializing a short story I wrote five years ago called The Last Stop, which is appearing in bite-sized pieces throughout the week. It’s probably unpublishable for a few reasons, but I put effort into the thing, so I’m posting it. You are the beta readers.

part one

part two

part three

part four

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The Last Stop

(part 5)

© 2009 by Eric John Baker

“Hello. Are you calling because of the flier?”

A hesitation. “Um, yeah. Is the girl in the picture home?”

Riley looked at his handset a moment then put it to his ear again. “Can you say that once more?”

“I’m calling for the girl in the picture. Did I get a wrong number?”

Riley shook his head and balled his left hand into a fist. “It’s a missing-persons flier, not a personal ad, dumb ass. Can’t you see the big M-I-S-S-I-N-G across the top?”

“Hey, I found it on the ground with the top part ripped off. What’s your problem, asshole?”

Riley dropped the handset into the cradle and buried his face in his hands. The phone rang again.

“Hello? Are you calling about the missing persons flier?”

A woman’s voice, broken and fading, said, “That’s my daughter, Judy.”

Riley jumped to his feet. Judy! “Do you know what happened to her?”

The woman hesitated. “She was murdered.”

The room began to spin and Riley fell back into his chair, unable to breathe. His arm remained in place, holding the phone to his ear, but he barely heard the woman say, “I can’t believe you knew her.”

Riley stared at the wall, destroyed. His voice came out as little more than a whisper. “I just used to see her around… I didn’t even know her name.”

“I can’t believe you remember her after all this time.”

Riley’s eyebrow went up. “What?”

“I say, I can’t believe you’ve been looking for her since 1985. Do you think we could meet sometime?”

His grip tightened on the handset until the plastic groaned. “I’m sorry for your loss,” he said through his teeth and threw the phone across the room. Then he took the picture he hated of Madeline from the end table and punched it, shattering the glass.

Monday morning, he sold his Toyota at a car-cash place for four thousand dollars. Thank god for the resale value of Japanese cars, he thought as he rode the bus downtown.

He alighted on Jamaica Park Road, the site of a private detective agency. Andre Rodgers, proprietor, motioned for Riley to sit.

“Welcome to Rodgers Agency. How can I help you?”

Riley handed him a flier and told the story.

“So, if I read you,” said Rodgers in a confident baritone, “You want me to find a girl based on nothing but a sketch and a redhead at a bus stop.”

Riley had no time for games. “If you can’t do it I’ll find someone else.”

Rodgers’s hand went up. “I didn’t say that. I can find her if she exists.”

“The police won’t even-”

“The police get paid whether they find her or not,” he said. “In fact, it’s easier for them if they don’t. Me, I’m a businessman. My closing ratio is pretty important to me.”

“How much?”

“Fifteen hundred, and I’ll have a solid lead by the end of the week. If I got nothing, I’ll give you the money back, less two hundred for expenses.”

Andre Rodgers’s words elevated him to the status of minor deity. He was going to find Sophia! Like it was easy. Why didn’t I come to this guy right away, Riley thought. Private enterprise is always the answer. No feat is too great for a man with willpower.

Riley wrote out the check and stood to shake Rodgers’s hand. Rodgers remained in his chair.

Outside, on the sidewalk, Riley felt free from the burden of the heavy chains.

His cell rang. “Hello?”

“Riley.” Patrick. “I’ve been trying to get a hold of you for over a week. Please come in. We need to talk.”

He didn’t have time for this. They were so close to finding Sophia. “I’ll be there in 20,” he said with cheerful blankness, back in character.

Riley rode Sophia’s line, bound for the city. He departed at the last stop, where she normally got on.

 

10

He bustled through the main doors of his company on the fourth floor, brushed past the reception desk and someone dressed for an interview—an applicant trying to steal his job, he surmised—and trotted down the hall to Patrick’s office.

Patrick stood and closed the door. “How are you doing, Riley? Do you want to take a seat?”

“I’m fine standing,” Riley said. “Before you tear me a new one, which I deserve, I just want to apologize for the way I’ve been-”

Patrick was doing the boss stare. “Listen. I’ll just come out and say it. You’re being terminated.”

(to be continued)

short story serialization: The Last Stop (part 4)

I’m serializing a short story I wrote five years ago called The Last Stop, which is appearing in bite-sized pieces throughout the week. It’s probably unpublishable for a few reasons, but I put effort into the thing, so I’m posting it. You are the beta readers.

part one

part two

part three

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The Last Stop

(part 4)

© 2009 by Eric John Baker

Across town, he parked at the municipal office and ran toward the police station entrance. As he raced past the sliding doors, a brawny officer threw an arm out and stopped him dead.

“Hold it there, buddy. What’s the big rush?”

Riley composed himself, and the officer released him. He smoothed his shirt. “I’m here to see Detective Spinelli.”

“Ok, then you can walk, not run, up to the window over there and they’ll get him for you.”

“Thank you.”

The officer gripped his arm. “It’s not a good idea to charge into a police station making crazy faces.”

Crazy? “Yes sir. I understand.” Halfway to the window, Riley whispered, “Jackass.”

The lady at the window picked up a phone and called for Spinelli, who emerged from behind the security door five minutes later, interrupting Riley’s agitated pacing.

Spinelli had gotten grayer and craggier since last time. “Riley Conard. What can I do for you?”

“I want to report a missing person.”

The detective paused to assess Riley’s words, like he often did. This time, he seemed extra suspicious.

Riley, naturally the original suspect in Madeline’s disappearance, was used to Spinelli’s approach. He could see the searching in his eyes.

“Um, your wife’s case is very much active. I know it’s frustrating to wait for news, but I promise you-”

“I’m not talking about Madeline. Someone else.”

“All right.” Spinelli said, inflecting it as a question. It’s not common for one person to make two missing-persons claims in the same year, no doubt.

Riley waited for an invitation to the office, past the security doors, where he would sit at the detective’s desk and tell the whole story, after which Spinelli would vow to find Sophia, and this time he really would, unlike with Madeline.

When the man didn’t move, it became clear the exchange would happen in here in the hall.

“Well,” Riley said, miffed to be reduced in Spinelli’s estimation to a crank, “I used to see this woman on the bus stop across from my office, and she’s not there anymore. She just disappeared, and I’m pretty sure something happened.”

Spinelli took out a notepad. Progress.

“What’s her name?”

Riley almost said Sophia. “I don’t know.”

Spinelli closed the notebook. “Why do you think she’s missing, other than she decided not to ride the bus anymore?”

No wonder this guy can’t find anybody. “I just talked to her friend, who said she was very upset the day before she disappeared.”

Spinelli opened the notepad. “What’s the friend’s name?”

Riley knew where this was going. “I forgot to ask.”

The detective sighed and returned the pad to his pocket. “Riley, what do you want? I can’t open a case without a crime.”

“Can I talk to a sketch artist at least?”

“Not without me opening a case, which I am not going to do until I have a missing person.”

Riley thought of Sophia, bound in a basement somewhere, cold and scared and wondering if any was ever going to save her. “What are you going to do?”

Spinelli said, “Tell me what she looks like. If someone reports a missing person who fits the description, I’ll let you know.”

The wedding photo! “Ooh. Hold on.”

Riley withdrew the picture of him and Sophia from his pocket and unfolded it to its original 8×10 size. About to hand it over, he noticed something wasn’t right, like when a bug crawls up the wall and you catch a glimpse. He held the picture under the florescent light and leaned in close to inspect.

It wasn’t Sophia anymore. It was Madeline, like before.

Riley stared a moment longer wondering how Maddie got back in there. “Sorry, I got confused for a second,” he said, crumpling the photo and sticking it in the trash bin beside the security window.

Spinelli’s tired eyes gazed at him from under sagging lids. “Think about seeing a therapist, will you? I know you’re frustrated with me, probably for a few reasons, but you gotta know you’re acting a little nutty right now.”

 

9

Riley found a local sketch artist online. The sketch cost him seventy bucks, because he didn’t like the way the first two turned out and demanded a third. He plastered five hundred copies, with his phone number at the bottom, on telephone poles and construction barricades and at libraries and bars. Spinelli accepted a copy.

He deleted messages from Patrick. The post office sent him a notice saying his box had gotten too full and they were holding the rest of his mail. He didn’t have any money left to pay bills anyway, so who cares.

On Sunday night, the phone rang at 8 p.m.

(to be continued)